farah hazim is a french-lebanese sound artist investigating experimental and improvised forms of sound art.
with a background in architecture her work engages in concepts of chronotopes, ecotones and natural sciences paralely to subjects linked to psychoacoustics, hauntology and sleep.
exploring alternative inquiries into hearing, listening and experiencing with a particular interest in multi-channel environements and their ability to create immersive experiences.
solo projects includes sound works, installations, data visualisations/sonifications, radio works, minimal compositions and improvisation sets based on field recordings and frequencies.
collaborative projects teem with sound artists, cinematographers, artists, performers, vidéo artists, musicians and spoken words, etc.
frequently associating creative forces with wissam sader.
(2019) - an orchestration of the unknown
(2019) - ocean.now
(2019) - hecate house
(2019) - in conversation with entropy
(2019) - nostalgia in reverse
(2018) - memory of a -scape .02
(2018) - memory of a -scape .01
(2018) - ocieux
(2018) - territories
(2018) - in.between at noiseberg
(2018) - in.between at gelgenheiten
(2018) - in.between at gneisenaustr.
(2018) - 60 sec. radio
(2018) - in.between at spektrum
(2018) - [nucl1*]
(2017) - souci [in]visible
(2017) - P2V03 transience
(2017) - le parapluie
(2017) - fürbringerstr. imprö
(2016) - le travail
(2016) - hypanthium
(2015) - suburbia soundscape
(2014) - fictions aux havres
(2014) - investigation dans l’est parisien