farah hazim is a french-lebanese intermedia artist investigating experimental and improvised forms of sound art.
exploring alternative inquiries into hearing, listening and experiencing with a particular interest in multi-channel environements and their ability to create immersive & augmented experiences.
with a background in architecture & scenography her work engages in concepts of chronotopes, ecotones and natural sciences paralely to subjects linked to psychoacoustics, hauntology and sleep.
solo & collaborative projects have various formats; including sound works, installations, improvisations, radio works, minimal compositions, data visualisations/sonifications, etc.
collaborative projects teem with sound artists, cinematographers, artists, performers, vidéo artists, musicians, spoken words, dancers, actors, etc.
frequently associating creative forces with wissam sader.
(2020) - vaguement ensemble
(2019) - cardinal points
(2019) - an orchestration of the unknown
(2019) - ocean.now
(2019) - hecate house
(2019) - in conversation with entropy
(2019) - nostalgia in reverse
(2018) - memory of a -scape .02
(2018) - memory of a -scape .01
(2018) - ocieux
(2018) - territories
(2018) - in.between at noiseberg
(2018) - in.between at gelgenheiten
(2018) - in.between at gneisenaustr.
(2018) - 60 sec. radio
(2018) - in.between at spektrum
(2018) - [nucl1*]
(2017) - souci [in]visible
(2017) - P2V03 transience
(2017) - le parapluie
(2017) - fürbringerstr. imprö
(2016) - le travail
(2016) - hypanthium
(2015) - suburbia soundscape
(2015) - what is home?
(2014) - fictions aux havres
(2014) - investigation dans l’est parisien
(2013) - the landscape factory